Transition Waltz
September 9, 2016 · Table of Contents, Ballet, Sophie Flack
There is a myth, perpetuated in the ballet world, that ballet training prepares dancers for whatever endeavor comes next. It’s a half-truth, really. We do, of course, learn discipline, focus, determination, and hard work from an early age. But because of the all-consuming nature of the profession,…
Canine Therapy
August 12, 2016 · Sophie Flack, Magazine, Books and Arts
This wonderfully perceptive memoir follows Matthew Gilbert’s transformation during his first year as a reluctant dog owner. A neurotic, death-obsessed, and socially uncomfortable television critic for the Boston Globe, Gilbert describes his evolution into a more open-hearted, playful person, thanks…
Girl in the Mirror
July 6, 2015 · Sophie Flack, book reviews, Magazine
With grievance and unspecific anger the major themes of so many contemporary memoirs, Unabrow is a literary breath of fresh air. The book consists of 20 comic essays chronicling Una LaMarche’s difficulty navigating womanhood while looking back at how her awkward formative years—as a single-browed…
Millepied à Terre
November 17, 2014 · Sophie Flack, Magazine, Books and Arts
Last month, Benjamin Millpied’s contemporary dance collective, the L.A. Dance Project, had its New York debut at the Brooklyn Academy of Music’s Howard Gillman Opera House. What Millepied has accomplished in two years with LADP is extraordinary: He’s assembled private donors to fund the company,…
After Many a Summer
August 11, 2014 · Sophie Flack, Magazine, Books and Arts
This was the first time in nine years that the Bolshoi Ballet had performed in New York, and rather than bring any of Alexei Ratmansky’s contemporary ballets, which helped catapult the company into the 21st century—under Ratmansky’s direction, the Critics’ Circle named the Bolshoi “Best Foreign…
An Echo of Balanchine
March 24, 2014 · Sophie Flack, Magazine, Books and Arts
At the beginning of this month, New York City Ballet principal dancer Janie Taylor, one of the most captivating dancers since George Balanchine died in 1983, took her final bow along with her husband, fellow principal Sébastian Marcovici.