Frankensteinat 200
Paul Cantor explains how Mary Shelley’s monster tramples all over the supposed line between high culture and pop culture.
Paul A. Cantor is a literary scholar and professor of English at the University of Virginia, known for his wide-ranging work on literature, philosophy, and popular culture. He contributed essays and reviews to The Weekly Standard from its founding in 1995 through 2018, covering topics spanning classical music, literature, and cultural criticism. His writing frequently explored the intersections of high art and popular entertainment.
Paul Cantor explains how Mary Shelley’s monster tramples all over the supposed line between high culture and pop culture.
In the world of art, Johannes Vermeer is a name to conjure with, and any exhibition of his work qualifies as a blockbuster. For the first time since 1996, a major exhibition of Vermeer and his contemporaries is coming to the National Gallery of Art. Vermeer and the Masters of Genre Painting debuted…
Madrid
It sounds like a Saturday Night Live sketch when you first hear about it. Steve Martin—the Steve Martin—is curating a museum exhibition of works by a supposedly famous Canadian painter you've never heard of. You expect Dan Aykroyd to come out dressed as a lumberjack in a beret, using a hockey stick…
April 23, 1616 — a date which will live in infamy. At least in literary circles. For on that date both Miguel de Cervantes and William Shakespeare died. To be sure, they did not die on the same day. At the time, Spain had adopted the new Gregorian calendar, while England was still on the old Julian…
On the international music scene, conductor Andris Nelsons is clearly on a roll. He has come a long way from the days when he played trumpet in the Latvian National Opera Orchestra. In the past season, he completed his contract with the City of Birmingham Symphony Orchestra (CBSO) and…
Is there any subject more esoteric than esoteric writing? Turn to the groundbreaking book on the subject, Leo Strauss’s Persecution and the Art of Writing (1952), and you’ll find such chapter headings as “The Law of Reason in the Kuzari” and “How to Study Spinoza’s Theologico-Political…
This year marks the 200th anniversary of the birth of Richard Wagner (1813-1883), arguably the greatest of all opera composers. (Mozart and Verdi fans: Please note the “arguably.”) Accordingly, the Wagner industry, active enough in off years, has kicked into high gear. The major recording companies…
This year marks the 200th anniversary of the birth of composer Felix Mendelssohn.
American Gothic
THE ISSUE OF GLOBALIZATION is very much on our minds at the moment--and the experience of the ancient world proves an aid to understanding what we think of as a uniquely modern problem. It was Jean-Marie Guehenno who argued in his brilliant 1995 book "The End of the Nation-State" that during the…
Man on the Flying Trapeze
When the great Parisian Hegelian Alexandre Kojeve searched for an image of the end of history, he finally hit upon the Japanese tea ceremony. Coming from Brooklyn, I am a bit less sophisticated and turn to American professional wrestling instead. For wrestling has been as much a victim of the end…
This is not a coffee table book about dinosaurs, but it comes close. The Last Dinosaur Book is cleverly, colorfully, and lavishly illustrated. It is filled with movie stills, comic strips, cartoons, and, if that is not enough to hold your interest, you can flip pages 95 to 227 and watch an animated…
Nicholas Christopher
Joseph Sobran